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home·artworks·Lazarka
Lazarka by Ivan Mrkviсka

plate no. 4893

Lazarka

Ivan Mrkviсka, 1892

oilImpressionismportraitportraitfigurejewelryclothinghairflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering details in clothing and jewelry. It also provides practice in capturing light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and main features.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, focusing on the overall values.

  4. step 04

    Begin refining the skin tones by layering and blending colors to create subtle variations in light and shadow.

  5. step 05

    Add details to the clothing, such as the lace collar and the folds in the fabric.

  6. step 06

    Paint the jewelry and accessories, paying attention to the highlights and reflections.

  7. step 07

    Add the floral details in the hair, using small brushstrokes to create texture.

  8. step 08

    Refine the overall painting, adjusting values and adding final details to create a sense of depth and realism.

color palette

primary · titanium white · burnt umber · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black · cadmium yellow

Mix skin tones using white, red, yellow ochre, and a touch of umber. Use blue and black sparingly to create shadows. Achieve the gold tones of the jewelry by mixing yellow ochre with a touch of burnt umber and white for highlights.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to establish a strong value structure, leading to a flat and lifeless painting.
  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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