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home·artworks·Laying the Foundation-stone of the Chain Bridge
Laying the Foundation-stone of the Chain Bridge by Miklos Barabas

plate no. 3934

Laying the Foundation-stone of the Chain Bridge

Miklos Barabas, 1842

oilRomanticismhistory paintingarchitectureinteriorcrowdfiguresceremonybeams
experienced study

Recreating this painting will help students develop skills in perspective drawing, particularly with complex architectural structures, and in rendering crowds of figures with loose, suggestive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, focusing on perspective and proportions.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective of the beams.

  3. step 03

    Block in the main areas of color: the sky visible through the roof, the wood tones of the beams, and the general color of the crowd.

  4. step 04

    Add details to the architectural structure, refining the shapes and values of the beams.

  5. step 05

    Start building up the crowd using small, gestural brushstrokes to suggest individual figures.

  6. step 06

    Add the red accents of the banners and stage area.

  7. step 07

    Refine the details in the foreground figures and the central stage area.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red light · cerulean blue

Achieve the wood tones by mixing raw umber and burnt sienna with varying amounts of white. Create the sky color by diluting cerulean blue with white. Mix red with a touch of brown to create the banner colors.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·gestural drawing

common pitfalls

  • →Getting the perspective wrong, which will make the architecture look distorted.
  • →Overworking the details, which will lose the loose, suggestive quality of the original.
  • →Making the crowd look too uniform and static.
  • →Failing to create enough depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas to allow for both detail and texture. Consider using a toned canvas to speed up the painting process.

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