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home·artworks·Laying Down the Law
Laying Down the Law by Edwin Henry Landseer

plate no. 6058

Laying Down the Law

Edwin Henry Landseer, 1840

oil, canvasRomanticismanimal paintingdogsanimalsinteriortablebookfurniture
experienced study

Recreating this painting will help students develop skills in rendering fur texture, capturing animal anatomy, and creating a complex composition with multiple subjects. It also requires careful observation of light and shadow to create depth and realism.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to map out the composition and placement of each dog.

  2. step 02

    Block in the background and main shapes with thin washes of color.

  3. step 03

    Begin layering in the darker values, focusing on the shadows and defining the forms.

  4. step 04

    Develop the mid-tones and highlights, gradually building up the fur texture.

  5. step 05

    Pay close attention to the details of the faces, capturing the unique expressions of each dog.

  6. step 06

    Add the details of the table, book, and other objects, ensuring they are in proportion to the dogs.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and realistic image.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the fur colors by mixing burnt umber, ivory black, and titanium white in varying proportions. Use yellow ochre and raw sienna for warmer tones. Mix small amounts of ultramarine blue to create cooler shadows.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the fur texture, resulting in a flat or unrealistic appearance.
  • →Failing to capture the correct proportions of the dogs' bodies.
  • →Ignoring the subtle variations in color and value, leading to a dull or lifeless painting.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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