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home·artworks·Law Agent and His Client
Law Agent and His Client by George Harvey

plate no. 5691

Law Agent and His Client

George Harvey, 1827

oilRomanticismsketch and studyfiguresportraitsmentableclothingsketch
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression, as well as understanding value relationships to create form. It also provides practice in rendering clothing and textures with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and the table.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of neutral color.

  3. step 03

    Begin building up the darker values in the clothing and background, paying attention to the folds and contours.

  4. step 04

    Start defining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the hands and the book on the table.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add final touches and details, such as the highlights in the eyes and the texture of the clothing.

  8. step 08

    Glaze with thin layers to adjust color and value as needed.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · yellow ochre

Mix various shades of gray and brown by combining black, umber, and white. Use small amounts of sienna and ochre to warm up the skin tones and add depth to the shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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