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home·artworks·Lavinie Barbier-Walbonne
Lavinie Barbier-Walbonne by Pierre-Paul Prud'hon

plate no. 8883

Lavinie Barbier-Walbonne

Pierre-Paul Prud'hon

oil, canvasRomanticismportraitportraitfigurewomanclothinghairhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering soft drapery. It also provides practice in creating a sense of depth and atmosphere through tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure.

  2. step 02

    Establish the background with a thin, even layer of muted color.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and shawl.

  4. step 04

    Begin layering and blending skin tones, paying attention to subtle shifts in value and hue.

  5. step 05

    Add details to the hair, focusing on the curls and highlights.

  6. step 06

    Refine the clothing and shawl, adding folds and shadows.

  7. step 07

    Add details to the face, focusing on the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of color and tone.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and raw umber. The background is a mix of ivory black and raw umber. The red shawl is cadmium red light with touches of burnt sienna and ivory black for shadows.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting the proportions of the face wrong.
  • →Ignoring the importance of the background in creating atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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