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home·artworks·Laus Veneris
Laus Veneris by Edward Burne-Jones

plate no. 4883

Laus Veneris

Edward Burne-Jones, 1868

oil, canvasRomanticismmythological paintingfiguresmythologymusictapestrycrowninterior
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, depicting figures with subtle emotions, and understanding the use of symbolism in art. It also provides practice in creating depth and atmosphere through color and detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and composition.

  2. step 02

    Establish the background tapestry and window scene with broad washes of color.

  3. step 03

    Block in the main colors of the figures' drapery, paying attention to the folds and shadows.

  4. step 04

    Refine the facial features and hair of each figure, focusing on capturing their expressions.

  5. step 05

    Add details to the musical score, crown, and other objects in the foreground.

  6. step 06

    Develop the subtle color variations and textures in the drapery and skin tones.

  7. step 07

    Glaze over areas to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · red ochre · ultramarine blue · ivory black

secondary · yellow ochre · burnt umber · titanium white

Achieve the rich reds by mixing red ochre with small amounts of burnt umber and titanium white for highlights. Create the deep blues by blending ultramarine blue with ivory black and a touch of red ochre to neutralize the color.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurately rendering the proportions of the figures.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red ochre, ultramarine blue, ivory black, yellow ochre, burnt umber, titanium white)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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