apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Laura reading
Laura reading by Walter Crane

plate no. 0691

Laura reading

Walter Crane, 1885

oilNeo-Romanticismgenre paintingfiguredressplantarchitectureletterinterior
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds, depicting subtle color variations in skin tones, and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: figure, background, plant, and architectural elements.

  2. step 02

    Block in the background with a thin wash of warm yellow-ochre, varying the tone slightly.

  3. step 03

    Establish the basic shapes and values of the figure's dress, using white mixed with small amounts of yellow and grey.

  4. step 04

    Paint the green underdress and sleeves, paying attention to the folds and shadows.

  5. step 05

    Add details to the architectural elements, including the patterned column.

  6. step 06

    Paint the plant, focusing on the shapes of the leaves and the highlights on the pot.

  7. step 07

    Refine the figure's face and hands, paying attention to the subtle color variations and soft edges.

  8. step 08

    Add final details, such as the gold trim on the dress and the lettering on the letter.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · viridian green · ultramarine blue · cadmium yellow

Mix white with small amounts of yellow ochre and burnt umber to create the off-white color of the dress. Use viridian green and ultramarine blue to create the various shades of green. Mix yellow ochre and burnt umber for the background.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·rendering fabric folds

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft edges.
  • →Not paying attention to the subtle color variations in the skin tones.
  • →Making the dress too bright white, losing the subtle shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Pre-toned canvas with a light wash of yellow ochre can be helpful.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dancer and the Canary

The Dancer and the Canary

Ethel Léontine Gabain

Lilac and Tulips

Lilac and Tulips

Ethel Léontine Gabain

Women Welders at Williams & Williams, Chester

Women Welders at Williams & Williams, Chester

Ethel Léontine Gabain

Landscape. Cookham Dene.

Landscape. Cookham Dene.

Stanley Spencer

HMS 'Revenge' Leaving Harbour

HMS 'Revenge' Leaving Harbour

Richard Eurich

The Resurrection - Waking Up 2

The Resurrection - Waking Up 2

Stanley Spencer

Landscape with Magnolia

Landscape with Magnolia

Stanley Spencer

Solskin

Solskin

Harald Sohlberg