apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Late summer day
Late summer day by Fritz Ebel

plate no. 1468

Late summer day

Fritz Ebel, 1895

canvas, oilRomanticismlandscapetreeswaterfigureslandscapefoliagesky
some experience helpful

This painting provides a good opportunity to practice creating depth through atmospheric perspective and layering of foliage. Students can develop skills in rendering realistic trees and water reflections.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and figures.

  2. step 02

    Establish the sky and distant background with light, muted colors.

  3. step 03

    Block in the main shapes of the trees and foliage with darker greens and browns.

  4. step 04

    Add details to the trees, varying the colors and values to create depth and texture.

  5. step 05

    Paint the water, capturing the reflections of the trees and sky.

  6. step 06

    Add the figures and other details, such as the bridge and fence.

  7. step 07

    Refine the details and adjust the values to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cerulean blue

Mix greens by combining blues and yellows with touches of brown for natural tones. Use white to lighten values and create atmospheric perspective.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (sap green, raw umber, titanium white, yellow ochre, burnt sienna, cerulean blue)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke