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home·artworks·Late Autumn Day in the Jægersborg Deer Park, North of Copenhagen
Late Autumn Day in the Jægersborg Deer Park, North of Copenhagen by Theodor Philipsen

plate no. 6794

Late Autumn Day in the Jægersborg Deer Park, North of Copenhagen

Theodor Philipsen, 1886

oilImpressionismlandscapetreesforestpathautumnlandscapesignpost
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as capturing the texture of tree bark and fallen leaves with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and perspective of the path and trees.

  2. step 02

    Block in the sky and background with thin washes of color, focusing on the overall warm tone.

  3. step 03

    Establish the dark tree trunks with a mix of browns and blacks, varying the thickness of the lines.

  4. step 04

    Add the foliage using short, broken brushstrokes in various shades of yellow, orange, and brown.

  5. step 05

    Develop the path and foreground with layers of color, suggesting the texture of leaves and dirt.

  6. step 06

    Add highlights to the trees and path to create a sense of light and shadow.

  7. step 07

    Refine the details of the signpost and any other small elements.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired atmospheric effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · burnt sienna · ultramarine blue

Mix yellow ochre and burnt umber for the dominant browns. Add white to lighten and create highlights. Use ultramarine blue sparingly to cool down the warm tones and create shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the colors too saturated and not capturing the muted tones of autumn.
  • →Failing to establish a strong sense of depth and perspective.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

Use a canvas with a medium texture to help create the broken color effect. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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