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home·artworks·Late Afternoon, Valley of the Leon
Late Afternoon, Valley of the Leon by Robert Julian Onderdonk

plate no. 8929

Late Afternoon, Valley of the Leon

Robert Julian Onderdonk

oilImpressionismlandscapetreeslandscapeskyfieldfencefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering realistic tree forms with varied brushstrokes. It also provides practice in creating a sense of light and shadow across a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, horizon line, and fence.

  2. step 02

    Block in the sky with a light blue-gray wash, blending towards the horizon.

  3. step 03

    Establish the basic values of the distant landscape, using muted greens and browns.

  4. step 04

    Begin layering in the darker tones of the trees and foliage, paying attention to the shapes of the leaves and branches.

  5. step 05

    Add highlights to the trees and foliage where the light is hitting them, using lighter greens and yellows.

  6. step 06

    Paint the foreground, using a variety of browns, greens, and yellows to create texture and depth.

  7. step 07

    Add the fence details, paying attention to the perspective and the way the light hits it.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · burnt umber · titanium white · cerulean blue

secondary · sap green · raw sienna · ultramarine blue

Mix greens by combining blue and yellow ochre, and create muted tones by adding burnt umber to other colors. Use white to lighten values and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, which can flatten the painting.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the atmospheric perspective, which can make the painting look flat.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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