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home·artworks·Late Afternoon In Summer
Late Afternoon In Summer by Thomas Moran

plate no. 1933

Late Afternoon In Summer

Thomas Moran

oilRomanticismlandscapelandscapetreesskysunsethillspath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle gradations of light during sunset. It will also improve their ability to render complex foliage with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the path, and the placement of the major tree masses.

  2. step 02

    Establish the sky with broad washes of color, blending the sunset hues.

  3. step 03

    Block in the distant hills and the water, paying attention to their muted colors and soft edges.

  4. step 04

    Start building up the foreground foliage with layers of green and brown, using broken brushstrokes to suggest texture.

  5. step 05

    Add the path, using a dry brush technique to create a sense of depth and texture.

  6. step 06

    Develop the trees, using darker values to create shadows and lighter values to suggest highlights.

  7. step 07

    Add the figures on the path, keeping them small and indistinct.

  8. step 08

    Refine the details and adjust the values to create a sense of atmospheric perspective.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the sunset colors by blending cadmium yellow, alizarin crimson, and titanium white. Use white to lighten values and create atmospheric haze.

techniques

  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·dry brush
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Using too much detail in the distance
  • →Creating overly saturated colors
  • →Ignoring the importance of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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