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home·artworks·Late Afternoon in October
Late Afternoon in October by Willard Metcalf

plate no. 4206

Late Afternoon in October

Willard Metcalf, 1920

oilImpressionismlandscaperivertreeshousesfieldskyautumn
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. Students will also learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the river, horizon line, and placement of the houses and trees.

  2. step 02

    Block in the sky with a light blue wash, leaving some areas lighter to suggest clouds.

  3. step 03

    Establish the main color masses for the trees, using variations of yellow, orange, and brown.

  4. step 04

    Paint the field with a base layer of green, then add layers of yellow and brown to create texture and depth.

  5. step 05

    Begin painting the river with a base of light blue, then add darker blues and purples to create the illusion of flowing water.

  6. step 06

    Add details to the houses, using light and shadow to create form.

  7. step 07

    Refine the details in the trees and field, adding highlights and shadows to create depth.

  8. step 08

    Add final touches to the river, such as reflections and highlights.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · titanium white · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Vary the greens by adding small amounts of burnt sienna or white. Achieve the autumn colors by mixing cadmium yellow, burnt sienna, and alizarin crimson.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the importance of value contrast.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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