apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Last Scene From Hamlet
Last Scene From Hamlet by Salvador Sánchez Barbudo

plate no. 0723

Last Scene From Hamlet

Salvador Sánchez Barbudo, 1884

oil, canvasRomanticismgenre paintingfiguresinteriordeathdramaroyaltycarpet
advanced study

Recreating this painting will help students develop skills in rendering complex figures in a dimly lit environment and capturing dramatic expressions. It also provides practice in depicting intricate details of clothing and interior decor using subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the background, floor, and figures.

  3. step 03

    Establish the light source and begin to define the areas of light and shadow.

  4. step 04

    Start refining the details of the figures, paying attention to their expressions and gestures.

  5. step 05

    Work on the textures of the clothing, carpet, and other objects in the scene.

  6. step 06

    Gradually build up the details in the background, maintaining a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing blacks and browns with small amounts of blues and reds. Use white sparingly to create highlights and subtle variations in the fabrics.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition.
  • →Overworking the painting and losing the sense of spontaneity.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurately rendering the proportions and anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke