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home·artworks·Last Judgement (Altarpiece for the Church of the Holy Apostles in Cologne, central panel)
Last Judgement (Altarpiece for the Church of the Holy Apostles in Cologne, central panel) by Stefan Lochner

plate no. 5913

Last Judgement (Altarpiece for the Church of the Holy Apostles in Cologne, central panel)

Stefan Lochner

oilInternational Gothicreligious paintingfiguresreligious sceneangelsdemonsarchitecturesky
advanced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering complex scenes with many elements. It will also improve their understanding of color mixing and layering techniques to achieve depth and detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major figures and architectural elements.

  2. step 02

    Establish the background color with a thin wash of golden yellow.

  3. step 03

    Block in the main figures (Christ, Mary, John) with their respective colors (red, blue, green).

  4. step 04

    Start adding details to the figures, focusing on drapery folds and facial features.

  5. step 05

    Paint the angels and demons, paying attention to their dynamic poses and expressions.

  6. step 06

    Develop the crowd of figures in the lower section, varying their skin tones and poses.

  7. step 07

    Add the architectural details of the church and the fiery landscape on the right.

  8. step 08

    Refine the details and add highlights and shadows to create depth and dimension.

color palette

primary · golden yellow · red · blue · green

secondary · brown · white · black · ochre

Achieve the golden background by mixing yellow ochre with a touch of burnt sienna and white. Mix shades of red, blue and green with white and black to create highlights and shadows.

techniques

  • ·layering
  • ·glazing
  • ·figure drawing
  • ·rendering drapery
  • ·atmospheric perspective

common pitfalls

  • →getting lost in the details too early
  • →inaccurate proportions of figures
  • →muddying the colors
  • →lack of contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (golden yellow, red, blue, green, brown, white, black, ochre)
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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