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home·artworks·Las montañas
Las montañas by Carlos Orozco Romero

plate no. 7325

Las montañas

Carlos Orozco Romero

oilMagic Realismlandscapemountainslandscaperiverskyhillsvalley
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create depth and dimension in a landscape. It also provides practice in rendering form through careful observation of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and the river, paying attention to perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Apply a thin wash of a neutral color (e.g., raw umber) to tone the canvas.

  4. step 04

    Begin blocking in the main color masses of the mountains, starting with the furthest mountains and working forward.

  5. step 05

    Mix and apply the subtle color variations in the mountains, using a soft brush to blend the tones.

  6. step 06

    Paint the river, using darker blues and greens in the shadows and lighter blues and grays in the highlights.

  7. step 07

    Refine the details of the mountains and the river, adding highlights and shadows to create form.

  8. step 08

    Adjust the overall values and colors to create a sense of atmospheric perspective.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · sap green

Achieve the muted tones by mixing earth tones with white and small amounts of blue or green. Use thin glazes to build up color and create subtle transitions.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·soft blending
  • ·color mixing
  • ·value study

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (raw umber, titanium white, cerulean blue, burnt sienna, yellow ochre, sap green)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

Use a smooth canvas for easier blending. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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