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home·artworks·Lane of Trees
Lane of Trees by Odilon Redon

plate no. 8994

Lane of Trees

Odilon Redon

oil, panelImpressionismlandscapetreesforestlandscapelightshadowpath
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using brushstrokes to suggest texture and form. It's a good exercise in capturing the interplay of light and shadow in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the path.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas.

  3. step 03

    Begin layering the green tones for the grass and foliage, varying the hues and values.

  4. step 04

    Paint the tree trunks, paying attention to the highlights and shadows to create form.

  5. step 05

    Add the lighter yellows and greens to suggest sunlight filtering through the trees.

  6. step 06

    Refine the details, such as the small flowers in the grass and the texture of the bark.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and form.

color palette

primary · yellow ochre · sap green · burnt umber · titanium white

secondary · ultramarine blue · cadmium yellow · raw sienna

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Use white to lighten values and create highlights. Burnt umber is used for shadows and tree trunks.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Creating flat, uniform areas of color
  • →Ignoring the subtle shifts in value and hue
  • →Not establishing a strong value structure

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints (yellow ochre, sap green, burnt umber, titanium white, ultramarine blue, cadmium yellow, raw sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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