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home·artworks·Lane near Norwich
Lane near Norwich by John Crome

plate no. 1390

Lane near Norwich

John Crome

oilRomanticismlandscapetreeslandscapepathfiguresskyfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth using color and value. It also provides practice in rendering foliage and suggesting detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and horizon line.

  2. step 02

    Establish the sky with a thin wash of light blue and white, blending softly.

  3. step 03

    Block in the large shapes of the trees and foliage with darker greens and browns.

  4. step 04

    Add the path using earth tones, paying attention to the perspective and how it recedes into the distance.

  5. step 05

    Begin layering colors and values to create depth and dimension in the trees and foliage.

  6. step 06

    Add highlights to the foliage and path to create a sense of light and shadow.

  7. step 07

    Paint the figures on the path with small strokes, focusing on their overall shape and color.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and atmospheric landscape.

color palette

primary · burnt umber · yellow ochre · titanium white · Prussian blue

secondary · cadmium yellow · alizarin crimson · sap green

Mix greens by combining yellow ochre, Prussian blue, and a touch of burnt umber. Use white to lighten values and create atmospheric haze. Mix browns with burnt umber, yellow ochre, and a touch of crimson.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for better paint adhesion and blending. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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