apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lane In Cheshire
Lane In Cheshire by John Atkinson Grimshaw

plate no. 4633

Lane In Cheshire

John Atkinson Grimshaw, 1883

oil, canvasRomanticismlandscapestreetmoontreesbuildingfigurenight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle gradations of light in a nocturnal scene. It also provides practice in rendering textures like wet cobblestones and bare tree branches.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines of the road and buildings.

  2. step 02

    Block in the sky with a thin wash of muted yellows, grays, and greens, blending softly to create an atmospheric effect.

  3. step 03

    Establish the darkest values of the trees and the figure, gradually building up the forms with layers of paint.

  4. step 04

    Paint the road using a range of browns, grays, and yellows, varying the tones to suggest the wet cobblestones and reflections.

  5. step 05

    Add the wall and buildings, paying attention to the way the moonlight illuminates their surfaces.

  6. step 06

    Introduce the highlights on the road and the edges of the buildings to create a sense of depth and realism.

  7. step 07

    Refine the details of the trees, adding thin branches and twigs with a fine brush.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the atmospheric effect.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · sap green · titanium white · raw sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of green. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details, especially in the trees.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to capture the subtle gradations of light in the sky.
  • →Not establishing a strong sense of perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt umber, ivory black, titanium white, raw sienna, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke