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home·artworks·Landscape with Ruins
Landscape with Ruins by Constantin Artachino

plate no. 1247

Landscape with Ruins

Constantin Artachino

oilImpressionismlandscapelandscaperuinsbuildingshillskytrees
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms and using a limited palette to create a harmonious landscape. It's a good exercise in capturing light and shadow with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hill, and trees, focusing on their relative sizes and positions.

  2. step 02

    Establish the sky color with a thin wash of diluted paint.

  3. step 03

    Block in the large shapes of the hill and buildings with broad strokes, using a mid-tone value.

  4. step 04

    Add darker values to define shadows and create depth, paying attention to the light source.

  5. step 05

    Introduce lighter values to highlight areas catching the light.

  6. step 06

    Refine the shapes of the buildings and trees, adding details with smaller brushstrokes.

  7. step 07

    Blend edges where necessary to create a soft, impressionistic feel.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · sap green · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue. Achieve lighter tones by adding titanium white to the primary colors. Use burnt sienna to create earth tones and shadows.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too many colors and creating a muddy palette.
  • →Ignoring the light source and creating inconsistent shadows.
  • →Making the initial sketch too detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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