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home·artworks·Landscape with Rainbow and Cattle
Landscape with Rainbow and Cattle by John Glover

plate no. 3923

Landscape with Rainbow and Cattle

John Glover

watercolor, paperRomanticismlandscapelandscaperainbowcattletreesskyanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle tonal variations. It also offers practice in rendering realistic foliage and animal forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, placement of trees, animals, and the arc of the rainbow.

  2. step 02

    Establish the base tone of the sky with a diluted wash of ochre and a touch of burnt sienna.

  3. step 03

    Block in the distant landscape with light washes of green and brown, gradually darkening the tones as you move towards the foreground.

  4. step 04

    Paint the trees, starting with the darker shadows and gradually adding lighter highlights to create volume.

  5. step 05

    Add the cattle and sheep, paying attention to their basic forms and proportions.

  6. step 06

    Create the rainbow with very diluted washes of yellow, pink, and blue, blending them softly into the sky.

  7. step 07

    Add final details such as highlights on the animals and subtle variations in the foliage.

  8. step 08

    Glaze with thin washes to unify the painting and adjust values as needed.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue

secondary · raw umber · titanium white · alizarin crimson

Achieve the muted greens by mixing yellow ochre and ultramarine blue. Use burnt sienna and raw umber for the earth tones, and dilute colors significantly for the sky and rainbow.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·wet-on-dry
  • ·tonal blending

common pitfalls

  • →Making the rainbow too bright and saturated.
  • →Overworking the details in the distant landscape.
  • →Creating harsh edges between tonal values.
  • →Not establishing a clear sense of depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·water container
  • ·palette
  • ·masking fluid
  • ·kneaded eraser

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Consider using masking fluid to preserve the white areas of the sheep.

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watercolor techniques →how to learn by studying the masters →
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