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home·artworks·Landscape with Mosque
Landscape with Mosque by Constantin Artachino

plate no. 8528

Landscape with Mosque

Constantin Artachino

oilImpressionismcityscapemosquebuildingsskytreescityscapefigures
some experience helpful

This painting provides practice in capturing architectural forms with simplified shapes and colors, and in creating atmospheric perspective through subtle value shifts. Students will also learn to suggest details with loose brushwork rather than precise rendering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, mosque, and trees, paying attention to their relative proportions and placement.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color for the sky, buildings, and ground using thin washes.

  4. step 04

    Gradually build up the colors and values, layering paint to create depth and dimension.

  5. step 05

    Use thicker paint and bolder brushstrokes to add details and texture to the buildings and trees.

  6. step 06

    Pay attention to the light and shadow, and adjust the values accordingly.

  7. step 07

    Add the figures and other small details.

  8. step 08

    Refine the painting, making sure that the colors and values are harmonious.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the sky color by mixing titanium white with a small amount of ultramarine blue and yellow ochre. Create variations in the building colors by adjusting the proportions of the primary colors.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Ignoring the importance of value
  • →Creating a flat, lifeless painting
  • →Getting the proportions of the buildings wrong

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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