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home·artworks·Landscape with Figures
Landscape with Figures by Carlos Orozco Romero

plate no. 9724

Landscape with Figures

Carlos Orozco Romero

oilMagic Realismlandscapemountainsfigureslandscapeskyarchitecturepath
suitable for beginners

This painting is great for practicing atmospheric perspective and color mixing to create depth. Students will also develop skills in rendering figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, figures, and architectural element, paying attention to proportions.

  2. step 02

    Establish the horizon line and the perspective of the path.

  3. step 03

    Block in the sky with a light blue-grey, blending it towards a warmer tone near the horizon.

  4. step 04

    Paint the distant mountains with progressively lighter and cooler blues to create atmospheric perspective.

  5. step 05

    Add the mid-ground mountains, using a mix of blues and greens, with slightly more detail.

  6. step 06

    Paint the foreground path and figures with warmer tones, adding shadows to define form.

  7. step 07

    Refine the details of the figures and the architectural element, paying attention to light and shadow.

  8. step 08

    Add final highlights and details to the landscape to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow light · raw sienna

Mix blues with white to create the various shades of the mountains. Add yellow ochre and burnt umber to the blue to create the greens in the mid-ground. Use raw sienna and white for the path, adding small amounts of blue for shadows.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·value gradation
  • ·scumbling

common pitfalls

  • →Failing to create enough contrast between the foreground and background, resulting in a flat image.
  • →Using too much detail in the distant mountains, which will flatten the perspective.
  • →Overmixing colors, leading to muddy tones.
  • →Ignoring the subtle color shifts in the sky and mountains.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A medium-grain canvas is recommended. Use a limited palette to simplify color mixing.

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