apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with Figures and a Ruin
Landscape with Figures and a Ruin by Penry Williams

plate no. 2043

Landscape with Figures and a Ruin

Penry Williams, 1837

oil, canvasRomanticismgenre paintingfigureslandscaperuinskydonkeydog
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding atmospheric perspective. It also provides practice in rendering textures of clothing, animals, and architectural elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the ruin, the figures, and the donkey.

  2. step 02

    Block in the sky with light blue and white, blending the colors smoothly.

  3. step 03

    Establish the basic land masses with browns and greens, paying attention to the perspective.

  4. step 04

    Begin adding the figures, starting with the largest shapes and gradually adding details.

  5. step 05

    Paint the ruin, focusing on the light and shadow to create depth and form.

  6. step 06

    Add the donkey and the dog, paying attention to their anatomy and proportions.

  7. step 07

    Refine the details of the figures, including their clothing, faces, and hands.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · sap green

Mix various shades of brown by combining burnt umber, yellow ochre, and small amounts of red or blue. Use white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·blocking in
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the landscape
  • →Ignoring light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke