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home·artworks·Landscape with Figure. Study for 'La Grande Jatte'
Landscape with Figure. Study for 'La Grande Jatte' by Georges Seurat

plate no. 1184

Landscape with Figure. Study for 'La Grande Jatte'

Georges Seurat, 1885

oil, woodImpressionismlandscapetreeswaterfigureslandscapefoliageriver
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and layering brushstrokes to create texture and depth. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, trees, and figures.

  2. step 02

    Block in the large areas of color: the sky/water, the foliage, and the tree trunks.

  3. step 03

    Begin layering short, broken brushstrokes of different colors to create the impression of light and texture in the water and foliage.

  4. step 04

    Add darker values to create shadows and depth within the foliage and under the trees.

  5. step 05

    Refine the shapes of the trees and figures, using darker colors to define their forms.

  6. step 06

    Add highlights to the water and foliage to create a sense of sparkle and vibrancy.

  7. step 07

    Continue layering and blending colors until the desired effect is achieved.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · sap green · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Create variations in the foliage by adding small amounts of alizarin crimson or burnt umber to the green mixture. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·pointillism (simplified)
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Over-blending the colors, resulting in a muddy effect.
  • →Failing to create enough contrast between light and shadow.
  • →Getting lost in the details and losing the overall impression.
  • →Using too much paint and obscuring the texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints
  • ·assorted brushes (small flats and rounds)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A limited palette will help to create a harmonious color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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