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home·artworks·Landscape with Coreopsis
Landscape with Coreopsis by Robert Julian Onderdonk

plate no. 9812

Landscape with Coreopsis

Robert Julian Onderdonk

oilImpressionismlandscapetreesfieldflowerspathskylandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and creating texture with visible brushstrokes. It also provides practice in depicting atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and horizon line.

  2. step 02

    Establish the sky with a thin wash of light blue and subtle cloud variations.

  3. step 03

    Block in the main areas of the field with a base layer of yellow-orange.

  4. step 04

    Layer in darker and lighter values to create depth and form in the field, using short, broken brushstrokes.

  5. step 05

    Paint the trees, starting with the trunks and branches, then adding foliage with varied greens and browns.

  6. step 06

    Define the path with lighter, cooler tones, and add subtle shadows to suggest its form.

  7. step 07

    Add details to the foreground, such as individual flowers and grasses, using a smaller brush.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a harmonious and balanced composition.

color palette

primary · yellow ochre · cadmium yellow · ultramarine blue · burnt umber

secondary · sap green · titanium white · raw sienna

Achieve the vibrant yellows by mixing cadmium yellow with yellow ochre. Create the greens by mixing ultramarine blue with yellows. Use burnt umber and ultramarine blue to create darker shades for the trees and shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating overly uniform brushstrokes, lacking texture and variation.
  • →Neglecting to establish a clear value structure, leading to a flat and unconvincing landscape.
  • →Ignoring atmospheric perspective, causing the background to appear too sharp and close.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·cadmium yellow oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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