apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape With Animals
Landscape With Animals by Alexandre-Gabriel Decamps

plate no. 1854

Landscape With Animals

Alexandre-Gabriel Decamps, 1845

oil, canvasRomanticismlandscapelandscapetreesskycloudsanimalsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures using broken color techniques. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and horizon line.

  2. step 02

    Establish the sky with broad strokes, blending blues, grays, and whites to create cloud formations.

  3. step 03

    Block in the dark masses of the trees, using a mix of greens, browns, and blacks.

  4. step 04

    Add lighter values to the trees to suggest highlights and form.

  5. step 05

    Paint the figures and animals with simple shapes and colors, paying attention to their relative sizes and positions.

  6. step 06

    Develop the foreground with details such as grasses, rocks, and reflections in the water.

  7. step 07

    Refine the details throughout the painting, adding highlights and shadows to create depth and realism.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · sap green · ivory black

Mix greens by combining yellow ochre and ultramarine blue. Achieve darker tones by adding burnt umber or ivory black to the primary colors. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details in the trees, resulting in a flat and lifeless appearance.
  • →Failing to create a sense of depth and atmosphere through the use of value and color.
  • →Ignoring the importance of the sky and clouds in establishing the overall mood of the painting.
  • →Making the figures and animals too detailed or prominent, distracting from the overall landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke