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home·artworks·Landscape view in Cumberland
Landscape view in Cumberland by John Glover

plate no. 3729

Landscape view in Cumberland

John Glover, 1820

oilRomanticismlandscapemountainslaketreesskycloudssheep
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. It also provides practice in mixing subtle color variations and rendering soft, diffused light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the mountains, lake, and foreground elements.

  2. step 02

    Establish the sky with a gradient of soft pinks, yellows, and blues, blending the colors smoothly.

  3. step 03

    Block in the distant mountains with muted blues and purples, using lighter values for mountains closer to the viewer.

  4. step 04

    Paint the lake with dark, reflective tones, adding subtle highlights to suggest ripples and reflections.

  5. step 05

    Develop the foreground with darker greens and browns, adding details to the trees, rocks, and foliage.

  6. step 06

    Add the sheep using small strokes of white and gray, paying attention to their placement and form.

  7. step 07

    Refine the details, such as the branches of the trees and the texture of the rocks.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson

Achieve the muted tones of the mountains by mixing blues, browns, and whites. Create the sky colors by blending pinks, yellows, and blues with plenty of white. Use glazes of burnt umber to create depth in the shadows.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·soft blending
  • ·dry brushing

common pitfalls

  • →Overworking the details in the distant mountains, which should remain soft and muted.
  • →Creating harsh lines and edges, which will flatten the image.
  • →Using too much bright color, which will detract from the overall mood of the painting.
  • →Ignoring the subtle value changes that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium yellow, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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