apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape. Possibly Naple
Landscape. Possibly Naple by Johann Hermann Carmiencke

plate no. 3390

Landscape. Possibly Naple

Johann Hermann Carmiencke

oilRomanticismlandscapelandscapemountainstreeswaterbuildingsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and realism. It also provides practice in rendering various textures, such as foliage and rock formations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, water, and main landscape elements.

  2. step 02

    Establish the sky with a soft, blended gradient of light blues and whites.

  3. step 03

    Block in the distant mountains with muted blues and grays to create atmospheric perspective.

  4. step 04

    Paint the water, using variations of blues and greens, reflecting the sky and surrounding landscape.

  5. step 05

    Begin adding details to the foreground, starting with the larger shapes of the trees and rocks.

  6. step 06

    Develop the foliage with layers of greens, browns, and yellows, using varied brushstrokes to create texture.

  7. step 07

    Add the building and pathway, paying attention to their perspective and placement within the scene.

  8. step 08

    Refine the details, adding highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · sap green · cadmium yellow light

Achieve the muted tones of the distant mountains by mixing blues, grays, and a touch of purple. Create realistic greens by mixing blues and yellows, adjusting the ratios for different shades.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant areas, which can flatten the perspective.
  • →Using too much pure color without mixing, which can make the painting look unnatural.
  • →Neglecting the importance of value contrast in creating depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke