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home·artworks·Landscape of Ávila, Spain
Landscape of Ávila, Spain by Rubén de Luis

plate no. 1152

Landscape of Ávila, Spain

Rubén de Luis, 2022

oilImpressionismlandscapecityscapewallsbuildingstreeslandscapesky
some experience helpful

This painting is a good exercise in creating depth through atmospheric perspective and simplifying complex shapes into basic forms. Students can practice layering colors and using broken color techniques to create texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes of the cityscape, walls, and foreground elements, paying attention to proportions and perspective.

  2. step 02

    Establish the sky color with a thin wash of blue and white.

  3. step 03

    Block in the large masses of color for the city walls, buildings, and landscape, using a limited palette of earth tones and greens.

  4. step 04

    Develop the details of the city walls and buildings, adding highlights and shadows to create form.

  5. step 05

    Paint the foreground trees and vegetation, using broken color techniques to create texture and depth.

  6. step 06

    Refine the overall composition, adjusting colors and values as needed to create a sense of harmony and balance.

  7. step 07

    Add final details and highlights to enhance the realism and visual interest of the painting.

color palette

primary · yellow ochre · burnt umber · sap green · cerulean blue

secondary · titanium white · cadmium yellow light · alizarin crimson

Mix various shades of green by combining sap green with yellow ochre and burnt umber. Create lighter tones by adding titanium white. Achieve the warm tones of the buildings by mixing yellow ochre, burnt umber, and a touch of alizarin crimson.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to create a sense of depth and distance through atmospheric perspective.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the importance of light and shadow in creating form and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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