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home·artworks·Landscape of Puy de Dôme
Landscape of Puy de Dôme by Armand Guillaumin

plate no. 7037

Landscape of Puy de Dôme

Armand Guillaumin

oilImpressionismlandscapelandscapemountaintreesfieldskybuildings
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and depth in a landscape. It also encourages observation of subtle color variations in nature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain, horizon line, and major landforms.

  2. step 02

    Block in the sky with a light blue, blending it smoothly.

  3. step 03

    Establish the mountain's form with muted purples and grays, paying attention to light and shadow.

  4. step 04

    Paint the distant fields and trees with progressively darker and more saturated greens and browns.

  5. step 05

    Add the buildings with simple shapes and colors.

  6. step 06

    Develop the foreground with textured brushstrokes, layering greens, browns, and yellows to create depth.

  7. step 07

    Add details like rocks and small plants in the foreground.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to create a sense of atmosphere and depth.

color palette

primary · cerulean blue · yellow ochre · alizarin crimson · titanium white

secondary · viridian green · burnt umber · cadmium yellow

Mix muted purples for the mountain by combining alizarin crimson and cerulean blue with a touch of white. Achieve various greens by mixing cerulean blue and cadmium yellow with varying amounts of white and burnt umber.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using too much pure color without mixing, resulting in a flat and unrealistic appearance.
  • →Ignoring the subtle color variations in the sky and mountain.
  • →Failing to create a sense of atmosphere by not using atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for textured brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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