
plate no. 2631
Marià Fortuny, 1874
Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. Students will also learn to capture the effect of light on different surfaces.
technical profile
approach — 8 steps
Sketch the basic shapes of the buildings, hillside, and sky.
Block in the sky with a thin layer of light blue.
Establish the main areas of light and shadow on the hillside using earth tones.
Add the darker greens and browns for the vegetation, varying the shades.
Paint the buildings, paying attention to the light and shadow on their surfaces.
Add details to the vegetation, such as individual leaves and branches.
Refine the details of the buildings, including windows and architectural elements.
Add final highlights and shadows to create depth and dimension.
color palette
primary · burnt umber · raw sienna · ultramarine blue · titanium white
secondary · cadmium red · yellow ochre · viridian
Mix burnt umber and ultramarine blue for dark shadows. Use raw sienna and white for highlights on the buildings and hillside. Add small amounts of cadmium red to earth tones to create warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke