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home·artworks·Landscape of Granada
Landscape of Granada by Marià Fortuny

plate no. 1335

Landscape of Granada

Marià Fortuny

oilRomanticismlandscapelandscapebuildingsskyhillsvegetationarchitecture
some experience helpful

This painting provides practice in creating depth through atmospheric perspective and using loose brushwork to suggest detail. Students can learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: sky, hills, buildings, and foreground.

  2. step 02

    Block in the sky with light blues and grays, blending softly.

  3. step 03

    Establish the distant hills with muted blues and greens, using a lighter value.

  4. step 04

    Paint the buildings with off-white and light brown, indicating shadows.

  5. step 05

    Add the foreground with a mix of browns, greens, and grays, using broken brushstrokes.

  6. step 06

    Indicate vegetation with small dabs of green and brown.

  7. step 07

    Add details to the buildings and walls, keeping them loose and suggestive.

  8. step 08

    Refine the values and colors, paying attention to the overall harmony.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · sap green · burnt sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of raw umber. Achieve the off-white tones by mixing titanium white with small amounts of raw umber and yellow ochre.

techniques

  • ·dry brush texture
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Using pure colors without mixing, resulting in an unnatural look.
  • →Ignoring the atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·oil paints (titanium white, raw umber, ultramarine blue, yellow ochre, sap green, burnt sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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