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home·artworks·Landscape of Aigues-Mortes
Landscape of Aigues-Mortes by Frederic Bazille

plate no. 0830

Landscape of Aigues-Mortes

Frederic Bazille, 1867

oil, canvasImpressionismlandscapelandscapeskywaterbuildingsvegetationclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to depict light and texture in a landscape. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the buildings and water.

  2. step 02

    Block in the sky with light blue, adding white for the clouds.

  3. step 03

    Establish the base colors for the water, using a mix of blues, greens, and grays.

  4. step 04

    Paint the distant buildings with a light ochre and umber mix, keeping the details minimal.

  5. step 05

    Block in the foreground vegetation with greens, browns, and reds, using broken color to create texture.

  6. step 06

    Add reflections in the water, mirroring the colors and shapes of the landscape.

  7. step 07

    Refine the details of the vegetation and buildings, adding highlights and shadows.

  8. step 08

    Add final touches, such as the birds in the sky, to enhance the sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · viridian green · cadmium red light

Mix ultramarine blue and white for the sky. Use yellow ochre and burnt umber for the buildings. Mix greens with blue, yellow, and a touch of red to create natural variations.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the foreground.
  • →Creating too much contrast in the distant elements.
  • →Using colors that are too saturated.
  • →Failing to establish a clear sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (ultramarine blue, titanium white, yellow ochre, burnt umber, viridian green, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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