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home·artworks·Landscape near Saint-Julien-des-Chazes
Landscape near Saint-Julien-des-Chazes by Armand Guillaumin

plate no. 4585

Landscape near Saint-Julien-des-Chazes

Armand Guillaumin, 1895

oilImpressionismlandscapelandscapemountainstreeshillswaterrocks
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering brushstrokes to create texture and depth. It's a good exercise in understanding atmospheric perspective and creating a sense of distance.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, rocks, and water, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the general layout of the landscape.

  3. step 03

    Block in the main color areas using thin washes of paint, focusing on the overall color harmony.

  4. step 04

    Begin layering colors to build up the forms of the mountains and rocks, using short, broken brushstrokes.

  5. step 05

    Add details to the foreground, such as the grass and rocks, using thicker paint and more visible brushstrokes.

  6. step 06

    Refine the colors and values, paying attention to the light and shadow.

  7. step 07

    Add highlights and details to create a sense of depth and realism.

  8. step 08

    Review the painting and make any necessary adjustments.

color palette

primary · viridian · alizarin crimson · yellow ochre

secondary · ultramarine blue · burnt sienna · titanium white

Mix greens by combining viridian with yellow ochre or ultramarine blue. Achieve the reddish-brown hues of the hills by mixing alizarin crimson with burnt sienna. Use white to lighten and create variations in the colors.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Ignoring the importance of value contrast.
  • →Failing to create a sense of depth and distance.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Using a medium-textured canvas will help to create a more textured and painterly effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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