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home·artworks·Landscape in wintertime
Landscape in wintertime by Marie Bracquemond

plate no. 2794

Landscape in wintertime

Marie Bracquemond

oilImpressionismlandscapetreessnowlandscapebuildingswintersky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle nuances of light in a winter scene. It also encourages the practice of loose, expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and buildings.

  2. step 02

    Establish the sky with a light, muted color, blending it softly.

  3. step 03

    Block in the larger shapes of the trees and snow-covered ground using a mix of browns, grays, and whites.

  4. step 04

    Add layers of color to the trees, varying the tones to create depth and texture.

  5. step 05

    Define the shapes of the buildings with darker tones, suggesting their forms beneath the snow.

  6. step 06

    Use small, broken brushstrokes to depict the texture of the snow and the branches.

  7. step 07

    Add highlights to the snow and trees to create a sense of light and atmosphere.

  8. step 08

    Refine the details and adjust the values to create a cohesive and harmonious composition.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · ultramarine blue · yellow ochre · payne's gray

Mix whites with small amounts of browns and blues to create the cool tones of the snow and sky. Use a limited palette to maintain color harmony.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much pure white, resulting in a flat and unrealistic snow effect.
  • →Neglecting the subtle color variations in the shadows.
  • →Failing to establish a clear sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to enhance the brushwork. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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