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home·artworks·Landscape in the South of France
Landscape in the South of France by Graham Sutherland

plate no. 4779

Landscape in the South of France

Graham Sutherland, 1950

oilNeo-Romanticismcityscapepalm treearchitecturegatelandscapeskyvegetation
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using expressive brushstrokes to convey texture and atmosphere. It also provides a good opportunity to explore color mixing to achieve subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the palm tree, buildings, and gate.

  2. step 02

    Block in the large areas of color, starting with the sky and ground, using diluted paint.

  3. step 03

    Add the darker values to define the shadows and create depth.

  4. step 04

    Begin to add details to the palm tree, buildings, and gate, using thicker paint and more defined brushstrokes.

  5. step 05

    Mix and apply the colors for the vegetation, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the details and add highlights to create a sense of light and atmosphere.

  7. step 07

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · red · yellow · white · brown

secondary · green · gray · orange

Achieve the pinkish-red sky by mixing red and white. Create the earthy tones for the ground and buildings by mixing yellow, brown, and a touch of red. Use green and gray for the vegetation.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·layering
  • ·expressive brushwork

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring the basic shapes and composition
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·rags
  • ·turpentine or mineral spirits
  • ·varnish

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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