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home·artworks·Landscape in the Campagna Romana with ruins and peasants
Landscape in the Campagna Romana with ruins and peasants by Albert Flamm

plate no. 3391

Landscape in the Campagna Romana with ruins and peasants

Albert Flamm

oil, canvasRomanticismlandscapelandscaperuinspeasantsskyhillsanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value and color changes. It also provides practice in painting figures and animals in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the main structures (ruins), and the placement of the figures and animals.

  2. step 02

    Establish the sky with a light blue base, adding soft clouds with white and touches of yellow.

  3. step 03

    Block in the distant hills with muted blues and purples to create atmospheric perspective.

  4. step 04

    Lay in the base colors for the landscape, using a mix of browns, greens, and yellows, varying the tones to suggest depth and form.

  5. step 05

    Paint the ruins, focusing on the light and shadow to define their shape and texture.

  6. step 06

    Add the figures and animals, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details, such as the foliage, the texture of the ground, and the highlights on the figures and animals.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · raw sienna · cadmium yellow · alizarin crimson

Achieve the muted tones of the landscape by mixing earth tones with white and small amounts of blue or crimson. Create atmospheric perspective by adding more blue to distant colors.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·broken color

common pitfalls

  • →Overworking the details too early
  • →Failing to create a sense of depth
  • →Using colors that are too saturated
  • →Ignoring the importance of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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