apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape in South of France
Landscape in South of France by Lucian Grigorescu

plate no. 4919

Landscape in South of France

Lucian Grigorescu

oilImpressionismcityscapebuildingsstreetskytreeslandscapecityscape
some experience helpful

This painting offers a good opportunity to practice simplifying complex scenes into basic shapes and using a limited color palette to create a harmonious composition. Students can develop their skills in capturing light and shadow with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and horizon line.

  2. step 02

    Block in the main color areas using thinned paint: sky, buildings, road, and greenery.

  3. step 03

    Establish the darkest shadows and lightest highlights on the buildings and road.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using thicker paint.

  5. step 05

    Define the shapes of the trees and bushes with varied greens and browns.

  6. step 06

    Refine the road surface with subtle color variations and textures.

  7. step 07

    Add the poles and other linear elements.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and detail.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · viridian green

Mix various shades of brown by combining raw umber, yellow ochre, and white. Add small amounts of burnt sienna for warmth and viridian green to create muted greens for foliage.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the background, flattening the perspective.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·viridian green oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to achieve color harmony. Consider using a toned canvas for a more unified effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann