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home·artworks·Landscape in Moonlight
Landscape in Moonlight by Henry Ossawa Tanner

plate no. 1638

Landscape in Moonlight

Henry Ossawa Tanner, 1913

oilImpressionismlandscapelandscapesnowtreesmountainsskymoonlight
some experience helpful

This painting provides a good opportunity to practice color mixing for atmospheric perspective and capturing the texture of snow with visible brushstrokes. Students can also learn to simplify complex landscapes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: horizon line, mountain shapes, and tree placement.

  2. step 02

    Establish the sky with light blue and white, blending for a soft, cloudy effect.

  3. step 03

    Block in the distant mountains with darker blues and purples, creating a sense of depth.

  4. step 04

    Paint the foreground snow with varying shades of blue, white, and gray to suggest shadows and texture.

  5. step 05

    Add the brown and gray areas of the foreground, blending them into the snow.

  6. step 06

    Paint the trees with thin, vertical strokes of blue, purple, and white, suggesting branches and foliage.

  7. step 07

    Add subtle highlights to the snow and trees to enhance the moonlight effect.

  8. step 08

    Refine details and adjust values as needed to create a cohesive and atmospheric landscape.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · purple · gray · yellow ochre

Mix blues and white for the sky and snow, adding small amounts of yellow ochre or burnt umber to create subtle variations. Use purple for shadows in the snow and mountains. Mix ultramarine blue and burnt umber for the dark areas.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much pure white, resulting in a flat, unrealistic snow effect.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the brushstrokes too uniform and losing the texture of the snow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a medium-sized canvas (e.g., 12x16 or 16x20 inches). Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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