
plate no. 1638
Henry Ossawa Tanner, 1913
This painting provides a good opportunity to practice color mixing for atmospheric perspective and capturing the texture of snow with visible brushstrokes. Students can also learn to simplify complex landscapes into basic shapes and values.
technical profile
approach — 8 steps
Sketch the basic composition: horizon line, mountain shapes, and tree placement.
Establish the sky with light blue and white, blending for a soft, cloudy effect.
Block in the distant mountains with darker blues and purples, creating a sense of depth.
Paint the foreground snow with varying shades of blue, white, and gray to suggest shadows and texture.
Add the brown and gray areas of the foreground, blending them into the snow.
Paint the trees with thin, vertical strokes of blue, purple, and white, suggesting branches and foliage.
Add subtle highlights to the snow and trees to enhance the moonlight effect.
Refine details and adjust values as needed to create a cohesive and atmospheric landscape.
color palette
primary · ultramarine blue · titanium white · burnt umber
secondary · purple · gray · yellow ochre
Mix blues and white for the sky and snow, adding small amounts of yellow ochre or burnt umber to create subtle variations. Use purple for shadows in the snow and mountains. Mix ultramarine blue and burnt umber for the dark areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 12x16 or 16x20 inches). Consider using a toned canvas to create a warmer base for the painting.
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