apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape in Lower Austria
Landscape in Lower Austria by Egon Schiele

plate no. 1648

Landscape in Lower Austria

Egon Schiele, 1907

oil, cardboardImpressionismlandscapelandscapefieldshillsbuildingsskytrees
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It's also a good exercise in simplifying a complex scene into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: horizon line, mountains, fields, and buildings.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the mountain range with a darker blue, adding subtle variations.

  4. step 04

    Lay in the general colors of the fields: green, yellow, and brown.

  5. step 05

    Define the shapes of the buildings with simplified forms and colors.

  6. step 06

    Add details to the trees and foliage with short, broken brushstrokes.

  7. step 07

    Refine the foreground with more defined brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance depth and form.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · cadmium yellow · cadmium red · sap green

Mix greens by combining yellow and blue, and create variations of brown by mixing umber with yellow, red, or blue. Use white to lighten colors and create subtle gradations.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Failing to simplify the forms and colors.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

A slightly textured canvas will enhance the visible brushstrokes. Use a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann