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home·artworks·Landscape from Ulvin
Landscape from Ulvin by Harriet Backer

plate no. 3335

Landscape from Ulvin

Harriet Backer, 1889

oil, canvasImpressionismlandscapelandscapehillstreesskybuildingsfields
some experience helpful

Recreating this painting will help students develop skills in color mixing for natural light and shadow, and in creating depth through atmospheric perspective. It also provides practice in capturing the texture of foliage with varied brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the hills and buildings.

  2. step 02

    Establish the sky with a thin wash of pale blue and grey, blending smoothly.

  3. step 03

    Block in the dark masses of the distant hills and trees using a mix of dark greens and browns.

  4. step 04

    Begin layering in the mid-ground fields with varying shades of green, yellow, and brown, indicating the rolling terrain.

  5. step 05

    Add details to the trees and foliage using short, broken brushstrokes to create texture.

  6. step 06

    Paint the buildings with simple shapes and muted colors, paying attention to their placement and scale.

  7. step 07

    Refine the foreground with more detailed brushwork and variations in color to create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · viridian green · yellow ochre · ultramarine blue

secondary · burnt umber · titanium white · cadmium yellow

Mix greens by combining blue and yellow, and use white to lighten values. Create muted tones by mixing complementary colors (e.g., a touch of red into green).

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using too much paint and obscuring the texture of the canvas.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (viridian green, yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium yellow)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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