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home·artworks·Landscape from Arges Valley
Landscape from Arges Valley by Henri Catargi

plate no. 1723

Landscape from Arges Valley

Henri Catargi, 1967

oilImpressionismlandscapelandscaperivertreesskymountainsbuilding
some experience helpful

Recreating this painting will help students practice layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and values. It also provides an opportunity to study atmospheric perspective and color temperature changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, mountains, and trees.

  2. step 02

    Block in the sky with light blue, adding hints of yellow and white for the clouds.

  3. step 03

    Establish the distant mountains with a muted blue-gray tone.

  4. step 04

    Paint the river using a mix of gray, blue, and white, varying the tones to suggest depth and movement.

  5. step 05

    Add the trees and foliage, using greens, browns, and yellows, with visible brushstrokes.

  6. step 06

    Develop the foreground with darker tones and textures, focusing on the rocks and vegetation.

  7. step 07

    Add details like the small building and the blue flowers.

  8. step 08

    Refine the painting by adjusting values and colors, and adding highlights.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · sap green · cadmium yellow · raw sienna

Mix blue and white for the sky, adding yellow for highlights. Use umber and sienna for earth tones, and mix greens from blue and yellow. Vary the blue with white to create atmospheric perspective.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details
  • →Using too much detail in the distance
  • →Not varying the color temperature
  • →Creating muddy colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·#6 round brush
  • ·#4 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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