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home·artworks·Landscape – Derbyshire
Landscape – Derbyshire by George Hemming Mason

plate no. 6822

Landscape – Derbyshire

George Hemming Mason, 1870

oilRomanticismlandscapelandscapefiguresbuildingsskyfieldtrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth using muted colors and soft edges. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Establish the sky with a gradient of muted blues, grays, and yellows, blending the colors softly.

  3. step 03

    Block in the distant hills and trees using thin washes of color, gradually building up the layers.

  4. step 04

    Paint the buildings with warm browns and grays, adding subtle highlights to suggest light.

  5. step 05

    Develop the foreground field with layers of greens, browns, and yellows, using broken brushstrokes to create texture.

  6. step 06

    Add the figures, paying attention to their proportions and placement within the scene.

  7. step 07

    Indicate the laundry scattered in the field with simple shapes and muted colors.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · payne's gray

Achieve the muted tones by mixing complementary colors and adding white or gray. Use thin washes of color to build up the layers and create a sense of atmosphere.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·soft blending

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the landscape.
  • →Making the figures too prominent or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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