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home·artworks·Landscape (Cassis)
Landscape (Cassis) by Rupert Bunny

plate no. 5550

Landscape (Cassis)

Rupert Bunny, 1931

oilImpressionismlandscapetreeslandscapeskyfoliagemountainfield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, impressionistic brushstrokes to capture the essence of the scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, mountain, and horizon line.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing some variation in tone.

  3. step 03

    Establish the base color of the field with a mix of ochre and brown, varying the tones slightly.

  4. step 04

    Paint the mountain in the background using shades of gray and blue, softening the edges to create atmospheric perspective.

  5. step 05

    Begin adding the trees, starting with the larger trees in the foreground. Use a mix of browns and grays for the trunks and branches.

  6. step 06

    Add the pink blossoms to the trees using small, broken brushstrokes. Vary the intensity of the pink to create depth.

  7. step 07

    Paint the smaller trees and foliage in the midground, using a similar technique to the foreground trees.

  8. step 08

    Add details to the field, such as the rows of plants, using short, broken brushstrokes.

color palette

primary · ochre · titanium white · burnt umber

secondary · light blue · cadmium red · gray

Mix ochre and burnt umber for the field. Use white to lighten the sky and foliage. Mix red and white for the pink blossoms.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·light blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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