apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape
Landscape by Maurice Braun

plate no. 3848

Landscape

Maurice Braun, 1915

oilImpressionismlandscapelandscapetreeshillsskyfieldsvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as practicing loose, impressionistic brushstrokes to capture the textures of nature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the major elements like the hills and trees.

  2. step 02

    Establish the sky with a light blue wash, blending it softly to create a sense of atmosphere.

  3. step 03

    Block in the distant hills with muted blues and purples, paying attention to value changes to suggest depth.

  4. step 04

    Paint the fields with a base layer of yellow ochre, then add variations in color and value to create the impression of texture and sunlight.

  5. step 05

    Develop the foreground hill with layers of browns, greens, and reds, using broken brushstrokes to suggest vegetation.

  6. step 06

    Paint the trees, focusing on their overall shape and the way light filters through their leaves.

  7. step 07

    Add details and highlights to the trees and foreground vegetation to create depth and interest.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · violet

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating too much contrast in the distant elements.
  • →Using colors that are too saturated.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Viewfinder

Use a limited palette to achieve color harmony. Consider using a toned canvas to unify the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann