apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape
Landscape by Lev Lagorio

plate no. 8053

Landscape

Lev Lagorio, 1871

oilRomanticismlandscapeseaboatfigurestreesskybeach
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and distance. It also provides practice in rendering realistic water and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major elements like the boat, trees, and building.

  2. step 02

    Block in the sky with light blues and grays, creating soft transitions for the clouds.

  3. step 03

    Establish the base colors of the sea, using darker blues and greens in the foreground and lighter, grayer tones in the distance.

  4. step 04

    Paint the landmass with a mix of browns, greens, and yellows, paying attention to the light and shadow.

  5. step 05

    Add details to the boat and figures, using small brushes and careful observation.

  6. step 06

    Render the trees with varying shades of green and brown, creating texture with short, broken brushstrokes.

  7. step 07

    Add highlights to the water and foliage to create a sense of light and sparkle.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · sap green

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create greens by mixing blue and yellow, and browns by mixing umber, sienna, and ochre.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·wet-on-dry blending
  • ·layering

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural look.
  • →Failing to create a sense of depth and distance with atmospheric perspective.
  • →Using colors that are too saturated, resulting in a painting that is too bright and unrealistic.
  • →Ignoring the subtle variations in color and value, leading to a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke