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Landscape by David Davies

plate no. 0660

Landscape

David Davies, 1889

oilImpressionismlandscapelandscapefieldtreeshillsskyfence
some experience helpful

This painting provides an opportunity to practice atmospheric perspective and creating depth through color and value changes. Students can also develop their skills in rendering foliage and creating a sense of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the hills, trees, and fence.

  2. step 02

    Establish the sky with a thin wash of muted grays and browns, suggesting the cloud formations.

  3. step 03

    Block in the distant hills with a dark, muted purple or brown, gradually lightening the value as you move towards the foreground.

  4. step 04

    Lay in the base colors for the field, using a mix of yellows, greens, and browns. Vary the colors slightly to create visual interest.

  5. step 05

    Add the trees, paying attention to their shapes and silhouettes. Use darker values for the shadows and lighter values for the highlights.

  6. step 06

    Paint the fence, using a dry brush technique to create a textured effect.

  7. step 07

    Add details to the foreground, such as the path and any small plants or debris.

  8. step 08

    Refine the painting by adjusting values, adding highlights, and softening edges as needed.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · sap green · ultramarine blue · cadmium yellow

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the background.
  • →Using too much bright green.
  • →Creating too much contrast in the foreground.
  • →Ignoring the subtle color variations in the field.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

Use a canvas with a medium texture to allow for better brushwork.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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