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home·artworks·Landsape, Hills of Guerande
Landsape, Hills of Guerande by Ferdinand du Puigaudeau

plate no. 6707

Landsape, Hills of Guerande

Ferdinand du Puigaudeau, 1915

oilImpressionismlandscapelandscapetreeshillsskyfigurevegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the subtle light variations of a landscape scene. Students will also practice rendering complex tree structures and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, hills, and horizon line.

  2. step 02

    Block in the sky with a thin wash of yellow and pink hues, blending softly.

  3. step 03

    Establish the dark masses of the trees and bushes using a mix of dark greens and browns.

  4. step 04

    Begin layering colors in the foreground hills, using greens, browns, and blues to create texture and depth.

  5. step 05

    Add details to the trees, focusing on the intricate branch structure and the play of light and shadow.

  6. step 06

    Paint the distant landscape with muted colors to create atmospheric perspective.

  7. step 07

    Add the figure in the foreground, keeping it small and simple.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric scene.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · alizarin crimson · ultramarine blue · raw sienna

Achieve the muted greens by mixing sap green with burnt umber and yellow ochre. Create atmospheric perspective by adding white and a touch of blue to distant colors.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the trees
  • →Creating too much contrast in the foreground
  • →Failing to establish a clear focal point
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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