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home·artworks·Lamentation on the Dead Christ
Lamentation on the Dead Christ by Maerten van Heemskerck

plate no. 3893

Lamentation on the Dead Christ

Maerten van Heemskerck, 1566

oil, panelMannerism (Late Renaissance)religious paintingfiguresreligious scenelandscapecrossesmourningdeath
advanced study

Recreating this painting would develop skills in figure drawing, anatomy, and complex composition. Students will also learn to mix subtle skin tones and create realistic drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to map out the composition and placement of figures.

  2. step 02

    Block in the background landscape with thin washes of color.

  3. step 03

    Establish the basic shapes and proportions of the figures, focusing on accurate anatomy.

  4. step 04

    Begin layering in skin tones, using a limited palette and subtle blending techniques.

  5. step 05

    Develop the drapery, paying attention to folds and highlights.

  6. step 06

    Refine the facial features and expressions of each figure.

  7. step 07

    Add details such as jewelry, hair, and the urn.

  8. step 08

    Apply final glazes to enhance the overall color harmony and depth.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, adding small amounts of cadmium red for warmth and ultramarine blue for shadows. Use yellow ochre and ivory black to create muted greens and browns for the landscape.

techniques

  • ·figure drawing
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·drapery study

common pitfalls

  • →Inaccurate proportions of figures.
  • →Overly saturated or unrealistic skin tones.
  • →Lack of depth and dimension in the drapery.
  • →Ignoring the subtle value shifts that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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