apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lament of Christ
Lament of Christ by Andrea del Sarto

plate no. 0410

Lament of Christ

Andrea del Sarto, 1520

oil, woodHigh Renaissancereligious paintingfiguresreligious scenedraperyangelshalomourning
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and subtle color blending to achieve realistic skin tones and fabric textures. It also offers practice in creating a balanced composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their poses, paying attention to proportions and relationships.

  2. step 02

    Block in the main color areas for the background, drapery, and skin tones using thin washes.

  3. step 03

    Begin layering colors to build up depth and form in the figures, focusing on the light and shadow.

  4. step 04

    Refine the facial features and details, paying close attention to the expressions.

  5. step 05

    Work on the drapery folds, using highlights and shadows to create a sense of volume.

  6. step 06

    Add details such as the halos and any other small elements.

  7. step 07

    Glaze thin layers of color to unify the painting and adjust the overall color balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · ivory black

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Achieve the blue drapery by mixing ultramarine with white and a hint of black for shadows. Use glazes of red and umber to create depth in the shadows.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Muddy skin tones due to over-mixing
  • →Flat drapery without convincing folds
  • →Overly harsh or undefined shadows

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael